The Vicar's Daughter by Deborah Simmons
By Deborah Simmons
With golden hair and eyes of springtime eco-friendly, Charlotte Trowbridge was once the toast of the London Season. "An incomparable goddess" her dazzled admirers proclaimed. however the earl of Wycliffe knew she used to be just a vicar's daughter, with the style of heaven on her lips...!
Methodical. Logical. Orderly. Charlotte could even have so as to add devilishly good-looking to her description of Lord Wycliffe. nonetheless, the fellow used to be desperately wanting a few loosening up, and it seemed as if she was once the one girl able to damn his well-known reserve.
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Extra resources for The Vicar's Daughter
Her lips looked fuller too. In fact, her whole appearance had about it something ripe, wanton. The bell began to toll. Freya realised with dismay that Beitris had taken her stockings and shoes. The Faol dress was ankle length, but still she could see the outline of the coffer key on her foot. The bell stopped abruptly. Telling herself that no one here would be in the least interested in her brand, Freya opened the door and followed the hurrying figure of another Faol heading to the throne room.
Faol never killed unless it was strictly necessary. The bolder of the two men lunged at him with the dirk. Eoin avoided him easily. The man lunged again, and Eoin sprang, hurling the guard bodily across the room where he landed with a dull thud, unconscious. The third guard quivered as the wolf turned to face him. Eoin was already reforming. He saw the blurring of his wolf’s body reflected in the terrified guard’s face as he changed from wolf to warrior. “Faol! ” The Highlander dropped his dagger and fell to his knees muttering incoherent pleas for mercy.
Expecting a predatory wolf with fierce eyes and razor-sharp teeth, instead, she was confronted by a man. Tawny-haired, with fierce eyes right enough, but a man nonetheless. A really quite magnificent man. The scream died in her throat. ” Eoin eyed the heiress with surprise. Though she had been described to him as a comely wench, he had assumed the description was influenced by her fortune rather than her face. But Freya Ogilvie was indeed a comely wench. Extremely comely, despite the toll which months of incarceration had taken on her appearance.