English Literature

The Cambridge Companion to Laurence Sterne (Cambridge by Thomas Keymer

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By Thomas Keymer

Top recognized at the present time for the cutting edge satire and experimental narrative of Tristram Shandy (1759-67), Laurence Sterne was once no much less well-known in his time for A Sentimental trip (1768) and for his debatable sermons. Sterne spent a lot of his lifestyles as an imprecise clergyman in rural Yorkshire. yet he brilliantly exploited the feeling completed with the 1st instalment of Tristram Shandy to develop into, by means of his demise in 1768, a trendy megastar throughout Europe. during this significant other, especially commissioned essays through best students supply an authoritative and available advisor to Sterne's writings of their historic and cultural context. Exploring key matters in his paintings, together with sentimentalism, nationwide id, gender, print tradition and visible tradition, in addition to his next impression on more than a few vital literary pursuits and modes, the booklet bargains a entire new account of Sterne's lifestyles and paintings.

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Extra resources for The Cambridge Companion to Laurence Sterne (Cambridge Companions to Literature)

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For the dubious attribution to Sterne of further pamphlets from this period, see Kenneth Monkman, ‘Sterne and the ’45 (1743–8)’, Shandean 2 (1990), 45–136. 5. For the identification, see Ian Campbell Ross and Noha Saad Nassar, ‘Trim (-trim), Like Master, Like Man: Servant and Sexton in Sterne’s Tristram Shandy and A Political Romance’, Notes and Queries 36 (1989), 62–5. 6. See The Correspondence of Robert Dodsley, 1737–1764, ed. James E. Tierney (Cambridge: Cambridge University Press, 1988), 37.

From there, he travelled via Lyon to Turin and Milan (scene of the only Italian episode in A Sentimental Journey). Moving south, he paused for a few days at Florence, where he met the artist Thomas Patch, who subsequently painted Sterne as Tristram encountering Death. The cold of the Tuscan winter quickly drove Sterne further south, by way of Rome to Naples, where he arrived in early 1766. Always a traveller who preferred socialising to sightseeing, he found himself in his element in the gay world of Neapolitan society: ‘We have a jolly carnival of it——nothing but operas—— punchinellos——festinos and masquerades’ (Letters 269).

Published in January 1766, the two slim volumes contained only twelve sermons – three fewer than the 1760 volumes and four fewer than Sterne had promised Becket – and one of those was ‘The Abuses of Conscience’, now making its third appearance in print. Though the subscription list was, for the most part, as prestigious as Sterne had hoped, no bishop added his name this time, while subscribers included the well-known sceptics Diderot, d’Holbach, and Voltaire (the last an extravagant admirer of ‘The Abuses of Conscience’).

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