Philosophy Critical Thinking

Poetry and Repetition: Walt Whitman, Wallace Stevens, John by Krystyna Mazur

Posted On February 25, 2017 at 4:07 pm by / Comments Off on Poetry and Repetition: Walt Whitman, Wallace Stevens, John by Krystyna Mazur

By Krystyna Mazur

This e-book examines the functionality of repetition within the paintings of Walt Whitman, Wallace Stevens and John Ashbery. All 3 poets commonly hire and remark upon the results of repetition, but characterize 3 unique poetics, significantly faraway from each other in stylistic and ancient phrases. while, the 3 are engaged in a hugely attention-grabbing relation to one another - a relation readers are inclined to clarify by way of repetition, through positing Whitman and Stevens because the substitute 'beginnings' out of which Ashbery emerges. Krystyna Mazur analyses the paintings of the 3 poets to determine styles which can function throughout a comparatively large spectrum of examples, in addition to to think about the diversity of how during which repetition can constitution a poetic textual content.

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Extra resources for Poetry and Repetition: Walt Whitman, Wallace Stevens, John Ashbery (Literary Criticism and Cultural Theory)

Example text

For there is an essential difference between the effect that can be represented by the image of the “shield within the shield” and the effect represented by a mirror or a series of mirrors; the former will point to an identity of the subject with its inner duplication; the later will introduce a difference into the scheme by dissociating the embedding narrative (or image, or narrator) from that which is embedded in it. Dällenbachs findings are particularly valuable to a study of repetition not only because mise-en-abyme is a form of repetition.

Listening was talking and talking was listening” (Stein, PR, 175). To talk is to produce (speech), to be the speaking agent, to be the “sender” of a message, to be the source (of meaning), the author (of a text). To listen is to receive, to be the (passive) audience, to be the reader (of a message), the interpreter. Stein collapses the two functions so that, in an ideal situation, one is both the speaker and the listener. As one speaks one also interprets; as one listens, one also produces. The radical dualism of the two positions undone, the “passive” receiver is given the power of an agent, a producer of the message.

Indeed, Deleuze argues that movement as such belongs to repetition. “Movement” or “getting out” or “flight” or “deterritorialization” is, for Deleuze, the prerequisite of thinking which needs to transcend its own codification and always try to become something else/new. “Nomadism, the war-machine, becomings, nuptials against nature, capture and thefts, interregnums, minor languages or stammering of language”: the Deleuzian dictionary is rich in terminology which defines movement out of codification.

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