Amending the Abject Body: Aesthetic Makeovers in Medicine by Deborah Caslav Covino
By Deborah Caslav Covino
Examines the results and meanings of the makeover and aesthetic surgical procedure in American renowned culture.
Feminist theorists have usually argued that aesthetic surgical procedures and physique makeovers dehumanize and disempower girls sufferers, whose efforts at self-improvement result in their objectification. Amending the Abject Body proposes that even though objectification is a vital aspect during this phenomenon, the explosive progress of "makeover tradition" will be understood as a strategy of either abjection (ridding ourselves of the undesirable) and identification (joining the neighborhood of what Julia Kristeva calls "clean and correct bodies"). Drawing from the commercial and advocacy of physique makeovers on tv, in aesthetic surgical procedure alternate books, and within the print and Web-based advertising and marketing of face lifts, tummy tucks, and Botox injections, Deborah Caslav Covino articulates the connection between objectification, abjection, and identity, and gives a fuller realizing of latest beauty-desire.
"Looking at plastic surgery and, extra normally, aesthetic alterations of the physique throughout the lens of abjection is a singular procedure that yields an attractive and profound realizing of the sweetness tradition. Covino skillfully and effectively applies this angle to a large choice of phenomena inside of drugs and pop culture. She uncovers our culture's deep-seated fears of the abject physique and provides a superb imaginative and prescient of a tradition the place we would reside with—or enhance partnership with—abjection. this is often a massive contribution to cultural reports at the physique and physique modification." — Kathy Davis, writer of Reshaping the feminine physique: The quandary of beauty Surgery
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Extra resources for Amending the Abject Body: Aesthetic Makeovers in Medicine and Culture
8 Gilman points out that the birth and development of psychoanalysis roughly coincides with the establishment of modern aesthetic surgery, and observes an inverse relationship between surgical aestheticizing and psychoanalytic therapies: The basic premise of aesthetic surgery rests on the simple reversal of the psychosomatic model that underlies orthodox psychoanalysis. For the psychoanalyst psychic ‘misery’ is written on the body as physical symptoms; for the aesthetic surgeon, the ‘unhappiness’ of the patient is the result of the physical nature of the body.
Desire in Language 263) Abjecting the mother goes beyond simply recognizing the need to separate from the mother, and enter language, because it is also motivated by the Paternal Order’s fear that the mother’s body is a devouring body. The semiotic mother, we recall, does participate in the process of imposing patterns and order on the life of the infant, and is, in that sense, an arm of the Symbolic 5 Order. The abject mother is an archaic mother because she is, as Kelly Oliver says, “pre-identity, presubject, preobject” (57), and in that way, utterly noncompliant with the clean and proper bodies regulated by the symbolic order: “Kristeva gives [in Powers of Horror] a [further] example of the revolutionary effect of the repressed maternal in language.
The abject mother is an archaic mother because she is, as Kelly Oliver says, “pre-identity, presubject, preobject” (57), and in that way, utterly noncompliant with the clean and proper bodies regulated by the symbolic order: “Kristeva gives [in Powers of Horror] a [further] example of the revolutionary effect of the repressed maternal in language. [Here,] the authority of our religion, morality, politics, and language comes through the repression of horror [of the abject body]. . Our culture is founded on this horror” (101).